Monday, September 7, 2009
Even though I still find it a bit exhibitionist to share with the world what you're doing, I find myself for some reason addicted. I only do it once a day, maybe twice, which isn't yet quite extreme. It's the people that tweet (what it's called when you post something on Twitter) constantly that worry me. It's like Twitter has replaced their real lives. With all the tweeting they do, I sometime wonder how they have time for a real life at all. I guess I like it because I feel connected with people that through geographical and time reasons, I don't have as much time to update on my real life anymore. It also is a bit satisfying to tweet that you did something interesting and exciting (and you aren't lying), and know it's out there for the world to see.
This brings me to a disturbing trend of people tweeting at times when their real life should have taken prescedence. There is this story: Where a woman tweets during a bank robbery instead of calling 911 http://www.1037kissfm.com/Woman-TWEETS-during-bank-robbery----instead-of-cal/4814832 . I think that when your life is in danger, and all you think of is going on Twitter, you have a bit of a problem. After that plane crashed into the Hudson earlier this year, passengers started tweeting about how crazy it was that their plane crashed into the Hudson river. If I were part of a disaster like that, Twitter would be the last thing on my mind. I think that kind of tweeting is a new spin on the old competition with friends. In elementary school coming back from summer vacation, most people would want to make their summer vacations soud better than their friends'. This is the new way to make your life sound more exciting than everyones' (and therefore make yourself better than them), but this time it's on a global scale. Also, in this new instantaneous culture, it's a way to let people know about major events when if they didn't know immediately they'd be offended.
It's not just us regular folks who use twitter. Demi moore, Ashton Kutcher, Britney Spears and Lance Armstrong are among a few of the celebrities found on Twitter (and most of them can). This article: http://www.torontosun.com/entertainment/celebrities/2009/04/05/9009931-sun.html suggests the ways in which it benefits celebrities to have Twitter accounts. It lets the fans know who they really are, sepearate from the paparazzi rumours that become more vicious every day. It lets them show what they're really doing without agents or any other intermediaries to get in the way. Of course, there's still the problem of fake celebrity accounts, posting untruths, but as of know it is mostly easy to determine which is the true celebrity. Celebrity twitter accounts also satisfy the sometimes rabid need fans have for anything celebrity. It also shows celebrities away from all the glitz and glamour that makes them seem a bit unreal. Twitter shows them do the same things as everyone else does, and it makes them seem more human.
There is one disturbing trend i've noticed recently while using Twitter, and I'm not yet sure of the implications. When you mention a product on Twitter, that product "follows" you. That means your tweets appear on their main page and they can see them. I think they use this for marketing purposes, though I'm not sure what they can get from my tweets that could help them with their advertizing. One real life example is when I tweeted about enjoying a certain video game, that video game started following me on twitter. I could block them, but I haven't. Realizing how Twitter can be used as a money maker has made me a bit more cautious about what I tweet.
Remember, my bloggers, that with any social media, there are risks. And hey, twitter gives us media junkies something new to talk about! That's something to tweet home about!
Friday, September 4, 2009
A lot of times in the book, the mother got angry with her daughter because she missed curfew and the mother had no idea where she was. If that happened, my mom would just call my cell phone and ask me where the hell I was, and when the hell I was coming home. In another scenario, there was an emergency and the daughter couldn't be where she had to be , and the mother had no idea where to call. Today she would just call the daughter's cell phone, and it would be a non issue.
During the same book, the girl was trying to carry out a forbidden relationship, which was proving difficult for her. When the guy would call her house, her parents would answer the phone before she could get it. If this happened today, the guy could call her cell phone, or she could call his cell phone, and her parents wold have no idea. E-mail would make a relationship that was forbidden that much easier to hide. The new technology of cell phones has made it easier both to separate and control.
Cell phones separate parents and children in that children can have their own number and parents don't have to be privy to who their children are talking to. A lot of my friends only know my cell phone number, because either I'm out, or I don't answer the phone at home. It's a number that's mine, no my whole family's. I'm never out of contact range, unless of course I'm in the subway where there's no reception. I think I'd have a lot less plans without my cell phone, because a lot of plans come up at the last minute while I'm out.
They add to control, because my mother can know where I am at all times. She calls me while I'm out to ask where I am, and who I'm with. Mothers used to ask those same questions, but they didn't have the power to ask repeatedly. I'm also expected to call before I go home, and my cell phone has to be on just in case. It is good in an emergency, because you can always contact someone and tell them what's going on. The only downside is now, if you're late and don't call, you can no longer use the excuse that you couldn't get to a phone.
I don't clearly remember a time when everyone didn't have a cell phone, so it's in hearing stories from my parents, and reading books set in the past to realize what it was like. There were so many problems, some of which carry the plots of books, especially in the teen years, that just don't happen anymore.
How cell phones have changed our lives seems like a really boring essay topic, but they like all other technologies, have opened up some possibilities and closed others.
Until next time bloggers,
Monday, August 24, 2009
Guess what everyone? Michelle Obama wore shorts on a hot August day to the Grand Canyon. (pause for collective gasp which will never come.). No big deal right? I mean, if you're not wearing shorts on a day like that, I would think you were insane. Apparently to most major news outlets, it was a big deal. Looking at the front page of the Toronto Star on Friday, I saw this picture accompanied by a story about Michelle Obama wearing shorts, and the apparent scandal it caused.
My first question is, what scandal? Did anyone really care? All the news stories, which make this into their biggest news, appear to defend her from critics calling her outfit choice inappropriate. I think these critics must be invisible, because I have not seen one article or comment criticizing the outfit. All they seem to do is defend the outfit that no sane person would criticize. I think it's sad that this was front page news. Front page news should be at least a little more exciting than this. Most people realize that the first lady is a human being, and it would be ridiculous to expect her to wear a long dress or a pantsuit or something. I actually like that this first lady seems a bit more normal than the others I've experienced. I feel like a bit of a hypocrite devoting a blog entry to this unimportant event, but why something gets on the front page and other things don't is a question that has always fascinated me.
So why the hell is this news?
Well it does have the news value of prominence. The first lady of the United States has always been a prominent person, and none in recent history have been able to stand on her own, in addition to being very photogenic. Other than that, this has got nothing going for it. On a normal day I don't care what celebrities are wearing, and shorts are nothing outrageous. Articles suggest that it's because it's a slow news month. After reading the newspaper daily for a few months, I have noticed that less seems to happen in August than usual. I guess after a few years I might notice that very little newsworthy ever happens in August. At least last year there was an explosion which meant no one had to resort to stories about shorts.
I think it's kind of stupid to write a story about how you think a story isn't a story. For blogging, sure. But for a newspaper where one would assume you're reading the "news" that should be a big no no. Not only was it the biggest news of one day, it was the biggest news of several days. What's worse is that it's not that nothing else happened in those several days, it's just that perhaps editors thought Michelle Obama and her shorts were more important. If she had been wearing a pant suit or something, they would have said she was crazy to be wearing that in such heat. It's hot at the Grand Canyon, especially in August. Those shorts were modest, especially by today's standards. They couldn't be called short shorts by any means. I thought they were pretty classy. So whoever is deciding to put that in the paper, get over it already! please?
Hey, I'm wearing shorts today, maybe I can be on the front page of the Star!!
Tuesday, July 28, 2009
Wednesday, July 22, 2009
In his article called "Death by Harry Potter", which appeared in Esquire in 2007, he admits to knowing nothing whatsoever about the famous boy wizard, or the books series that has enthralled millions. The first thing, I, a super Potter fan, though while reading this was "How the hell is that even possible?" I mean where does Klosterman live, under a rock? Has he never watched television? Does he not know someone who knows something Potter related? For someone who talks about being so culture oriented, how could he not have the faintest clue about Harry Potter?? He talks about ignoring the books and movies, but with all the press both have gotten, and all the hype surrounding them, I don't think you could ignore it so much that you haven't at least picked up bits and pieces. Even just paying attention to the news would get you the basic storyline.
I'm not saying everyone has to be as obsessive as me; knowing every single fact, reading the books and watching the movies multiple times, and even dressing up. Some people can even hate Harry Potter, and I know many who do (admitedly, not too many). Those people, however, have some basic knowledge of the story, and have never appeared as clueless as Chuck Klosterman in his article, even if they have never read a book or watched a movie. I just don't understand how someone who talks so much about other pop cultural phenomena can be ignorant of one that has in recent years become ubiquitous. In the world of popular culture, not knowing the bare necessities of Harry Potter is akin to not knowing that the music video for Michael Jackson's Thriller involved zombies.
What exactly is so wrong about this lack of knowledge? It was hard for me to separate my obsessive fan outrage with the actual possible reasons. One thing Chuck Klosterman admits is that it creates a generation gap between his generation and the one that I belong to, the one he says in the article will probably go on to control the mass media. I've noticed some of this generation gap in his writing already. He talks about some bands, shows, and celebrities that I am completely unfamiliar with sometimes. I am guessing they were most popular some time before I was born, most likely in the 1980s. He was, however, more relevant than other writers on similar topics, which is why I kind of like him. He does say that not knowing about Harry Potter may be detrimental to his career, which is likely. Pop culture is about right now and if you don't know about something so essential to the culture of the moment, that puts you at a major disadvantage.
Harry Potter is probably the biggest literary phenomenon of all time. That in and of itself deserves at least some notice. It's something that everyone, no matter what their age or interest, knows something about. For my generation (and I hope that makes no one older who happens to read this feel old), it is also something we've grown up with. I was 8 when the first book came out, and 17 when the last came out. I'm 19 now, and the 6th movie has just come out (it was awesome by the way!) I grew up as Harry did, and like watching Sailor Moon and liking the Spice Girls as a child, it is a common thread that connects me with any new person I meet who is around the same age as me. I don't think that Star Wars, which Klosterman uses as an example in his article, ever reached the same amount of popularity with all people of all ages all around the world.
There are certain things that stand the test of time in the world of popular culture. These are things that everyone knows about, no matter when they were born. These things stay popular even if they really haven't been for many years, at least not in their original way. I know about the Jackson 5, even though the height of their popularity was when my mother was a child. I know vaguely of the Mickey Mouse club, although I think it was cancelled long before I can remember. I know about and love Monty Python, and was shocked when my mother told me she watched it when she was my age. Harry Potter is most definitely one of those things. My grandmother's 70 year old friend knows about it, and so does the 4 year old I used to babysit. That to me shows it's pretty darn special.
I've heard that the media is ubiquitous. Well, as long as you don't live under a rock in the middle of nowhere with your eyes closed, so is Harry Potter.
Below is a link to the article, just in case anyone's interested.
Thursday, June 18, 2009
This post is to explore a question that has always been harder than necessary for me. Since I want to go into the news business, I figured it was important to know what was newsworthy. I read the paper practically everyday, but that doesn't help much. Things that I think shouldn't be important make the paper. Do I care about Jon and Kate's marriage crisis? Actually, following that has been a bit of a hobby of mine, but even I can tell that it is one issue that shouldn't be covered in a mainstream paper dedicated to "news". In my news gathering class, we learned that the two most important questions to ask to determine if something is newsworthy are 'So what?' and 'Who cares?' That works most of the time, but just because people care about something, doesn't make it important.
The mundane lives of celebrities have made the news for a long time because people think they care about that. (Though going deeper into celebrity news will require another post). There are also the sayings "When it bleeds, it leads", which means that the more gruesome and violent a story, the better it will be received. Happy news does tend to get left to brief mentions at the end. News also has to sometimes be sensational, something people wouldn't encounter in their daily lives often, which would make it most interesting. This is best captured in the quote by the former New York Sun editor John B. Bogart, "When a dog bites a man, that is not news, because it happens so often. But if a man bites a dog, that is news." There is also the fact that the news is a business that has to sell itself. Sometimes I think that what is newsworthy depends entirely on what will sell, which is a kind of depressing thought.
If that were the case, maybe a better question would be, What should be news? That might be an even harder question. Early on, everyone who wants to be a journalist is given a list of 9 'news values'. They're a good benchmark, but they are also not everything. Just because a story is a little weird, or involves a prominent person, or just happened, for example, doesn't make it news. I find that the best way to tell is a kind of a gut feeling. You look at something, and you just know. Or you think you know anyways. I try to go by things that I would want to know more about, or things that would make a good story. Then again, in class we learn how to make a good story out of the most mundane of things. I try to make it about what needs to be known, not necessarily what people want to know. Thinking of a newspaper or other news outlet as an aid to democracy is a good benchmark to determine what is worthy of the news.
So have I really answered the question? Possibly not. Here's a pretty good example that can be used to determine what you think news is. This is also taken from Chuck Klosterman's "Sex Drugs and Cocoa Puffs", not word for word since I don't have it on me, but the main idea.
Suppose you are the Editor-in-Chief of the New York Times. It is your job to decide what goes on the front page. This particular day, Scientists find and kill an authentic Bigfoot. By a strange coincidence, U.S. government captures the live Loch Ness Monster and are running experiments. On the very same day the president of the U.S. finds out he has inoperable brain cancer that will be fatal. What do you put on the front page?
This is a tough question. Even so, I hope to be in such a position some day, because that would be pretty cool. My first instinct is to not run the president story. Yeah, he's a pretty important guy, everyone knows that. On a day without all those other things, it would probably make the front page. However, all that story has is a famous person. Sadly, a lot of people get terminal cancer everyday, and that never makes the news. It will, of course, be in the paper somewhere. On a day like this, however, the event itself is too common, though the person it happened to is famous.
It's hard to pick one of the other two. There can, of course, be 2 things on the front page, but one will end up being the biggest. I think these two stories are similar enough to combine. They're both about two things previously thought not to exist that have had their existence proven. "Mythological Creatures Found" the headline will say (or something like that). It can go into how each of the creatures are found, and what conclusions can be drawn from finding them both on the same day. That story will make a very good issues of my paper. This is a far fetched scenario, but choices like this are made everyday. This or that? One will go on the front page, and one won't. Some things will be on the news, some won't. Happy things often fall into the "won't" category.
This entry hasn't solved anything, but what I hope to have done is to state that the question "What is news?" is one that has no definite answer, and must be answered day after day, story after story.
Monday, May 4, 2009
This quote, from "Sex, Drugs and Cocoa Puffs" struck me as extremely true:
"This is why all reporters eventually go insane: Even if you see a guy shoot someone - in fact, even if a guy shoots you in the face, and you watch the bullet come out of the chamber of the .38 he's holding - the event needs to be described as an "alleged" crime, and that alleged criminal needs to allege that he had no part in anything that allegedly happened." - Chuck Klosterman
I am definitely going to go crazy because of this some day.
Now I understand the need for such language, in principal anyways. Innocent until proven guilty and all that. Journalism is supposed to be about the facts, not who did or didn't do something. Yet it's really hard to say alleged when someone confesses, or when the event has a large number of witnesses. I start to wonder how much it is about the truth, and how much it is about how to avoid getting sued.
I had a lot of trouble with the legalities around reporting I learned in my News Gathering class, especially court reporting. In fact, all I know for sure is if I don't find a way to remember all that stuff fast, and I have to do a court story, I'm probably going to get sued. The excessive use of the word alleged seemed so unnecessary when for all it tries, reporting doesn't stick to the objective truth. Of course, you don't lie, that would be wrong . But out of pages and pages of notes that may be irrelevant, you need to exclude some things, and what you exclude depends on where you want the story to go.
There are also the observations we were told to make, and the leaving out of confessions and past criminal histories that I had a hard time grasping when it came to court reporting. We were told that we could report on how the person looked when they walked into court, their body language and their attire. Now what does that have to do with anything? Guilt or innocence? It just seemed to be a way of manipulating that precious "truth". And if someone confesses, do you still need to say allegedly? Sure they could be lying, or coerced, but they did say for a fact that they did the crime. Past criminal histories were another thing that I had a hard time leaving out. I mean, it happened, it's a matter of public record, and it was said in court. If it damages a persons case, that's because people can't separate past from present.
Klosterman also has trouble with the fact that journalists know for a fact that most people lie to them, and they must get both sides of a story however one sided a story may seem. It's perfectly all right to print something you know to be untrue, if of course, someone else said it. As long as it's properly attributed, it's fine. The same is to be said for stories where you know one side is right. As a journalist, you're not allowed to have an opinion. And while you may be pretty sure that a law protecting children from molesters is a good thing, you're going to need to find someone who thinks we should be nicer to the molesters, in order to present a fair and balanced story.
Don't get me wrong, I still want to be a journalist very much in spite of this small annoyance. There's too much about it that I love. I will allegedly get used to saying alleged seemingly unnecessarily. If it were a viable career option to be a professional blogger though, I'd totally do that.
Thursday, April 23, 2009
The first chapter, This is Emo, was a long, cynical rant with liberal swearing about how love can never work. At first I thought, man, this guy is way too negative. Now I think man, this guy has a point. People are always saying they're in love with celebrities. In love with people they've never met. Well, Klosterman is right in saying that what people really love is the characters played by a particular actor or actress. Personally, I love Patrick Dempsey. At least, that's what I used to say. Now I realize that other that the fact that Patrick Dempsey is hot, I said I love him because I see him as doctor Derrek Sheppard, a.k.a McDreamy of Grey's Anatomy fame. I have never met him, but I doubt he is as kind, sensitive, and sacrificing for love as his character is. He probably doesn't really have much to do with Ellen Pompeo, his onscreen love interest. Crushes on celebrities are a normal part of life, unquestioned, and natural. But really, how normal is it to fall in love with a representation of a person seen only on a screen?
Movies and television, according to Klosterman, don't only warp who we love. They also warp what we expect of love. Media love always works out so perfectly in the end. The chapter talks about "When Harry Met Sally" situations, where best friends discover they've loved each other all along and they all live happily ever after. I'm sure it works sometimes. Sort of. But real life is generally a little more complicated. One person is usually the only one of the two with any romantic feelings. The other person has kept it at friends so long for a reason. Or else that person has never even considered romance there because it isn't really there for them. A lot of the times, hoping for a "When Harry Met Sally" situation is just a whole lot of false hope.
I'd love a turbulent road ending in true love like Ross and Rachel. I'd love it that everything would almost inexplicably work out perfectly no matter what mistakes were made, like Bridget Jones. I'd love true love that can transcend everything like that shared by the characters in the musical Rent. That would be so great, that it took a book like this to remind me that none of those stories are real. They are fictional stories that never really happened. Yet people base their whole love lives on these fictional stories, suffering crushing disappointment when the real world doesn't match up. Sometimes there doesn't need to be life changing conversation every second. As Chuck Klosterman says, there's nothing wrong with silence because you don't have to always say something. Look for meaning in words, because silence usually doesn't really MEAN anything.
Now this chapter hasn't made me give up on love all together. It just made me realize that's it's silly to expect the kind of as seen on TV love that everyone thinks is the way things really are. If I were always to expect something Ross and Rachel - esque, I don't think I'd recognize something much more real and much more magical.
Tuesday, April 21, 2009
Thursday, January 15, 2009
Monday, January 12, 2009
So a few days ago, I was watching the Colbert Report like I do many mornings. And who should the guest be but that guy who wrote that book I had to read for class. You know the one, Free Culture by Lawrence Lessig. I paid a little more attention, because I actually wanted to know what he had to say.
He was talking about his new book, Remix, which has the same theme as most of his work, copyright laws, and how they're outdated. He told Stephan Colbert that his show was like taking other peoples' work, and remixing it to create his own. He also talked about how that's exactly what young people like to do , and he's right, I love doing that. As with how it usually works on the Colbert Report, Lawrence Lessig was interupted several times, but I believe he made his point pretty well.
One thing that stuck with me was how he said that copyright laws are making kids into criminals, and yet they still don't work. He talked about the war against illegal downloading that has been "fought" for such a long time, and yet everybody still does it. Of course, Stephan had to be his hillarious self and remark that Lessig was saying because of illegal downloading, 9/10 kids are now in jail.
Generally things like that leave the guests flabbergasted, but Lessig just remarked that it is a kind of a jail, because there are laws that trap them into not being able to be creative without breaking the law. Stephan Colbert then got into the topic of remixing (taking someone else's work and using parts of it to make your own). Stephan Colbert took Lessig's book and said that if he were to write his own name on the book and add some Mickey Mouse ears, it would now be his own work, and Lessig should let him do it. Of course Lessig said that was great, since that is after all the whole point of his book.
Stephan Colbert continued to see that he is not like Lawrence Lessig, and no one can ever ever remix anything of his. While this was an extremely funny segment, it couldn't have been done in a more appropriate venue. So why this long recap? Well, if I didn't just spend way too much money on tuition and school books, I'd want to buy Remix, and see what else Lawrence Lessig had to say. And if anyone who happens to read this isn't as monetarily challenged as I am right now, they should look into reading it.
P.S. If anyone wanted to remix anything in this blog, go for it. I like what I write to be enjoyed and possibly inspire other creativity.